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When I listen to that album, I think of my summer romance and the countless times we would drive around in his car, listening and singing along to Frank Ocean. It came out at a time when I was starting a new chapter in my life - a new house, new job and new friends. His highly anticipated second album, Blond, was released in the summer of 2016. It brought me so much comfort to know they were at home singing along to the same songs I was. When I studied abroad in Spain, I would play his album whenever I was feeling homesick and missed my friends. That album got me through long, sleepless nights of homework and cramming for exams.

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When I listen to the album now, I’m instantly transported back to a time when my roommates and I would blast Frank Ocean's songs in our apartment all day or when we would go to the beach and play his music through our portable speakers.

Reverb.Frank Ocean's first studio album, channel ORANGE, came out in the summer of 2012 when I was beginning my Junior year of college.

Mix with the Masters | Inside The Track #20Īs well as my other Frank Ocean synth breakdown articles:.

| Frank Ocean Producer Malay on Making Albums in a Singles Era.

Splice | How Frank Ocean producer Malay creates lo-fi textures.

If you made it this far – thanks for reading! For some further exploration of Malay’s writing and production style, I can highly recommend the following links: Through the years, I’ve realized music should never be forced. When Im thinkin bout you (ooh, no, no, no) I been thinkin bout you (you know, know, know) I been thinkin bout you. My eyes dont shed tears, but, boy, they pour. In Southern California, much like Arizona. Excuse the mess it made, it usually doesnt rain. If it veers off path, I’d rather ditch it and try again another time. A tornado flew around my room before you came. A typical session for me starts with me laying down some musical ideas (guitars, keys, drums) and we’ll start laying down some lyric/melody concepts… Keep growing it into vibe. I find creating ideas from scratch with the artist is much more rewarding and allows for the song and the sound to be catered to the specific project. I used to do the track thing when I was younger, but it never really worked out for me. Id rather go into the studio with the artist and/or writers and create from scratch. My writing process with most artists (including Frank) is very artist specific i.e. He’s done his own breakdown of the guitars in Pyramids, which you can watch here as well as featured in the article below.īefore I start breaking down each sound, here’s the final remake: The remake is also a collaboration with guitarist/producer Seán Murray, who recorded and mixed the outro guitar solo originally played by John Mayer, as well the the guitar swells in the bridge.

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I recreated most of the sounds using plugins from the Arturia V Collection and the presets made for the remake are available as a free download at the end of this article.

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In this article I’ll look at each of the individual sounds that makes up Pyramids and either look at where the sound originally came from or how to emulate the original hardware synth sounds using software plugins. The pad on side 2 is an Oberheim OB-8… Hmm, oh yeah, the arpeggiator thing is done on the Arturia CS-80“ Bass was live, high pad sounding thing during the transition from side 1 to side 2 was ebow on my Strat. I created the main chop with some analog bell type sound off an original Juno-106 and some choir sounds from the Mtron. “I use all of the Arturia analog remakes… On that particular song the lead synth was actually from Omnisphere (played live the chain I described previously). On the production of Pyramids, Malay wrote: He also says he sends his tracks from his audio interface through a stereo pair of Neve 1073’s, because “ any software based stuff has to leave the computer and hit some kind of circuit board”, ostensibly to add analog warmth. Software plugins used on channel Orange include the Arturia Collection, Native Instruments Battery and GForce M-Tron.

In a Gearslutz forum post Malay wrote that the main synths and keyboards used on channel Orange were a Roland Juno-106, a Wurlitzer, a B3 organ and a Rhodes. Pyramids was written by Frank Ocean and Malay, with production credits shared by the two in addition to Om’Mas Keith. Get DJ recommendations for harmonic mixing. To top it all off, the outro of Pyramids features an extended guitar solo performed by an uncredited John Mayer. Also see Camelot, duration, release date, label, popularity, energy, danceability, and happiness. The song is structured around two distinct sections which I’ll refer to as Side A and Side B, as well as a transition section that joins the two. Clocking in at almost 10 minutes, Pyramids features a wide range of sounds, including epic Mellotron choirs, funky synthbass lines and warm pads over trap beats. Pyramids is regarded by many as one of the standout tracks of Frank Ocean’s 2012 debut album, channel ORANGE.